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Which vocalist you prefer is strictly a matter of personal taste, as both are perfect fits for what The Crown try to accomplish.Īnother highlight on “Crowned in Terror” is the supremely talented guitar work of Marcus Sunesson and Marko Tervonen, who churn out a wealth of crushing riffs and awesome lead guitar passages. What they are, though, is plenty aggressive, a trait he shares with his predecessor (and successor) Johan Lindstrand. This Tomas Lindberg, by the way, is another good example of why The Crown are a difficult band to classify: his vocals are not quite death but also not quite black metal, falling somewhere in between these two styles.
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Out is original frontman Johan Lindstrand, who gets replaced by renowned vocal-cord grinder Tomas “Tompa” Lindberg, notorious for his work with (among others) semi-legendary death metallers At the Gates. It just boasts slightly better production values (even though “Deathrace King” didn’t leave much to be desired in that regard) and a different vocalist. What The Crown deliver on “Crowned in Terror” is pretty much the same thing as on their previous effort “Deathrace King” (not counting “Eternal Death”, which was originally released under the Crown of Thorns moniker). What counts is that the resulting concoction is very potent and very likely to kick your ass at all times. Ah, to hell with all this labeling – let’s just say it’s quite difficult to categorize this band as they incorporate elements from many of metal’s more extreme subgenres. Yes, their music is basically death metal with lots of melody and it can be very catchy, but it’s also uncompromisingly fast, heavy, dirty, dark and mean thanks to a substantial infusion of thrash and black metal and even some (punk) rock elements. To me, the term melodic death metal is too closely associated with the so-called Gothenburg sound and bands like Dark Tranquillity or older In Flames (before they wimped out over the last decade or so), and I just don’t think The Crown sound very much like that.
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The Swedes’ fourth studio album “Crowned in Terror” is a perfect example for this conundrum: certainly you could say that death metal plus melody equals melodic death metal, yet I don’t think that would be an apt description of The Crown’s musical style. That is why slapping the melodic death metal label on their music, as is frequently done on many review sites all across the interwebs, definitely feels like a misnomer.
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The Crown have always been among that elite group of bands to showcase an almost uncanny ability, one they share with a number of other gifted outfits mostly hailing from Sweden, it seems: they effortlessly infuse their brand of death metal with insane amounts of melody without ever sounding calculated, soft or melodramatic.